Our third issue focuses on the evolution of the classic noir film movement from the 1940s into neo-noir.\u00a0 Principles stayed the same, but artistic changes happened with a broader color palette, a new set of auteurs, changing social mores, and greater explicitness impacting every genre of film–and perhaps especially, neo-noir.<\/p>\n
Brynn Artley begins this issue with “Dirty Harry<\/em>: The Changing Masculine Ideal of 1970s America,”\u00a0<\/a>examining Clint Eastwood as the hardboiled detective Harry Callahan and his representation as that of a change in protagonist masculinity. Blake Gasner discusses the “neon-noir” artistic flair of Nicholas Winding Refn’s 2011 film in “Drive<\/em>: Eye-Popping Neon-Noir for the 2010s<\/a>.”\u00a0 Sara Manning analyzes the changes in neo-noir protagonists as exhibited by Jake Gyllenhaal’s Lou Bloom in Dan Gilroy’s 2014 film “Nightcrawler:<\/em> Empathy for the Anti-Hero<\/a>.”\u00a0 Lastly, Brynn Artley looks into revisiting neo-noir decades later, in Denis Villenueve’s 2017 sequel “Blade Runner 2049<\/em>: Revisiting the Future<\/a>.”<\/p>\n Stay tuned for our upcoming coverage of the 2018 Mountainfilm Film Festival from Telluride, Colorado, beginning May 24.<\/p>\n","protected":false},"excerpt":{"rendered":" Our third issue focuses on the evolution of the classic noir film movement from the 1940s into neo-noir.\u00a0 Principles stayed the same, but artistic changes happened with a broader color palette, a new set of auteurs, changing social mores, and greater explicitness impacting every genre of film–and perhaps especially, neo-noir. Brynn Artley begins this issue […]<\/p>\n","protected":false},"author":36,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-352","post","type-post","status-publish","format-standard","hentry","category-issues"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/posts\/352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/comments?post=352"}],"version-history":[{"count":3,"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/posts\/352\/revisions"}],"predecessor-version":[{"id":357,"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/posts\/352\/revisions\/357"}],"wp:attachment":[{"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/media?parent=352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/categories?post=352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/academics.winona.edu\/povwinona\/wp-json\/wp\/v2\/tags?post=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}