by Catherine Fruzyna | Nov 13, 2020 | Criticism
Little Women (2019) is my new favorite queer feminist film. The writer and director, Greta Gerwig, perfectly encapsulates the feeling of ‘the more things change, the more they stay the same’ and that’s what makes this period film shine. For an adaption of a one...
by Carissa Chin | Nov 13, 2020 | Criticism
As much as it may appear to be, the movie Brooklyn (2015) is not primarily about the city Brooklyn or a girl named Brooklyn. It is, however, based on a novel by Colm Tóibín which is titled Brooklyn. This film is about an Irish girl named Eilis, played by Saoirse...
by Daniel Florness | Nov 1, 2020 | Criticism
Have you ever wondered why a certain advertisement popped up on Facebook? Or, why a specific URL tops the list on a Google search? The 2020 documentary The Social Dilemma, directed by Jeff Orlowski, answers these questions and many more about the fears and...
by Jill Serleth | Oct 30, 2020 | Criticism
Mind-bending and psychologically disconcerting, director Ari Aster’s Midsommar (2019) entices psychological thriller fans and horror fanatics alike with its gruesome qualities. Despite bearing a slow outset and questionable take on foreign culture, this film...
by Catherine Fruzyna | Oct 21, 2020 | Criticism
Enola Holmes (2020), directed by Harry Bradbeer, is a well-produced movie with an amazing cast and delightful set and costume design, but that’s all that can be said for its praise. With many faces recognizable from other Netflix shows (Stranger Things’ Millie...
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